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Next to remakes, the horror-comedy has been one of the most prolific subgenres of late. And like remakes, I can count the good ones on one hand. For every Shaun of the Dead there are dozens of lousy Sam Raimi/Peter Jackson imitators and even bigger hyped titles like Dead Snow, Jack Brooks, and Zombieland I found forced pastiches of much better movies. So imagine my surprise when a backwoods redneck comedy with a title like Tucker & Dale vs. Evil managed to defy all expectations and completely charm me in the end.
The concept is so great I’m surprised no one thought of it sooner: Just like every post Texas Chainsaw horror film, we begin with a van full of vacationing teenagers who stop at a secluded gas station and are promptly freaked out by the scary backwoods locals. It is here that Tucker & Dale shifts the action over to the hicks – and as it turns out, they’re simply misunderstood good ole boys. The film is mostly told from the perspective of our title characters: two lovable dimits whose only goal in between beer runs is to renovate their “dream home” (i.e., a crappy cabin by the lake). And this time, in a brilliant role reversal, the dumb preppy city kids are inadvertently the villains.
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When Tucker and Dale rescue one of them from drowning during a late-night skinny dip, the paranoid teens confuse them for psychopathic Deliverance types and waste no time starting a fight for their lives. Of course, Tucker and Dale are just trying to help and completely oblivious to their situation, which unleashes a gruesome comedy of errors where the entrails go flying.
Co-writer/director Eli Craig is clearly a big fan of the genre, and he’s knowledgeable enough to deliver a loving homage without resorting to obvious self-referential jokes. Half the fun is how the script takes the oldest of genre clichés and gives you a hilarious new perspective on them. It’s a simple, broad comedy but one that never outstays its welcome and keeps the gory (and largely practical) set-pieces flying at a frenzied rate.
The success or failure of a movie like this all boils down to the likability of the protagonists, and Alan Tudyk and Tyler Labine make for the perfect comedy team. Under normal circumstances a couple of country bumpkins would be difficult to relate to – especially in this genre – but these sweet-natured heroes will have you rooting for them every step of the way. This is mostly because their characters aren’t stereotypes; they’re completely genuine with a great rapport and never go for typical Dumb and Dumber/ Jeff Foxworthy style jokes. They’re more like the dysfunctional types you’d see in an early Coen Brothers flick, and it’s especially refreshing to see two leads in a horror-comedy who aren’t self-aware movie geeks or bad Ash clones.
It should be noted that Tucker & Dale vs. Evil falls a tad short of “instant classic” status. It’s a fairly one-joke affair, and once the gags get rolling, it’s pretty easy to spot the punchlines before they happen (although to be fair, they’re the exact gruesome pay-offs you want to see). It also peaks a bit early with a finale that isn’t nearly as inspired as the rest of the film. That said, it’s still one of the best horror-comedies in ages, and these characters could easily launch a series worthy of Abbott & Costello.
Let’s face it, hillbillies and their ilk have been getting the short end of the pitchfork in movies since the strains of banjo music faded in 1972’s Deliverance. And whether due to radiation (The Hills Have Eyes) or just good old determined inbreeding (Wrong Turn and so, so many films you’re better off not knowing about), the yokel-prone in film have really enjoyed slaughtering innocent families on vacation, travelers deficient in basic map usage skills, and, best of all, sexually active college students just looking for a good time.